
An analysis of how Mitterand came to power in France and how political power seduced the French Left and became a simulacrum. First published in French in 1985, The Divine Left is Jean Baudrillard’s chronicle of French political life from 1977 to 1984. It offers the closest thing to political analysis to be found from a thinker who has too often been regarded as apolitical. Gathering texts that originally appeared as newspaper commentary on François Mitterand’s rise to power as France’s first Socialist president and the Socialist Party’s fraught alliance with the French Communist Party, The Divine Left in essence presents Baudrillard’s theory of the simulacrum as it operates in the political sphere. In France, the Left, and even the ultra-Left, had been seduced by power. This scenario—dissected by Baudrillard with deadpan humor and an almost chilling nonchalance—produced a Socialist Party that devoted itself to rallying the market economy and introducing neoliberalism, and replaced an intellectual class with the media stars and hyper-professionals of the spectacle. Starting from the elections of 1977, Baudrillard analyzes—in “real time,” as it were—how the Left’s taking of power had in fact been an enaction of not just its own death throes, but those of power itself. The Divine Left outlines a simulation of politics that offers discomfiting parallels to our political world today, a trajectory that has only grown more apparent in recent the desire and intention to fail.
The most influential book of the past seventy-five years: a groundbreaking exploration of everything we know about what we don’t know, now with a new . . .
«Kanskje finnes det for latteren ennå en fremtid!», skriver Nietzsche i åpningen av Den muntre vitenskapen. Med satire og skarpe iakttakelser legger han blant annet . . .
Hvorfor gjør vi feil? Og hvorfor i all verden fortsetter vi å gjøre de samme feilene gang på gang? Vi tenker i ett av to . . .
«The planet is sick. Human beings are guilty of damaging it. We have to pay. Today, that is the orthodoxy throughout the Western world. Distrust . . .
Virilio’s exploration of the relationship between technology, war and information technology. “Civilization or the militarization of science?” With this typically hyperbolic and provocative question as . . .
With this book Paul Virilio inaugurated the new science whose object of study is the «dromocratic» revolution. Speed and Politics (first published in France in . . .
The Believing Brain is bestselling author Michael Shermer’s comprehensive and provocative theory on how beliefs are born, formed, reinforced, challenged, changed, and extinguishedSynthesizing thirty years . . .
«Verden er min forestilling.» Med denne påstanden innleder Schopenhauer sitt hovedverk fra 1818. Alt som kan erkjennes, er objekt for et subjekt. Omvendt gjelder det . . .
Michel Foucault takes us into the first two centuries of our own era, into the Golden Age of Rome, to reveal a subtle but decisive . . .
In this sequel to The History of Sexuality, Volume I: An Introduction, the brilliantly original French thinker who died in 1984 gives an analysis of . . .
Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of . . .
There is a catastrophe within contemporary art. What I call the «optically correct» is at stake. The vision machine and the motor have triggered it, . . .
“One day the day will come when the day will not come.” Bleak in its analysis of the social destruction wrought by modern technologies of . . .
Massive technological innovations now allow scientists to extract and analyze ancient DNA as never before, and it has become clear–in part from David Reich’s own . . .
‘Hinsides godt og ondt’ er en hyllest til livet og kreativiteten og på mange måter et endelig farvel med metafysikken. I åpningen sier Nietzsche at . . .
Taboo and sacrifice, transgression and language, death and sensuality—Georges Bataille pursues these themes with an original, often startling perspective. He challenges any single discourse on . . .
How would it be if what we take for human advance were simply a technological progress that literally leaves us out of its equations? What . . .
A trenchant critique of new techniques of waging war, and its reduction to images on a screen Written with his characteristic flair, Virilio’s latest book . . .
With around 645 million people expected to be displaced Ð by wars and other catastrophes Ð by 2050, Virilio begins The Futurism of the Instant . . .
The underlying premise of all of Virilio’s work is that we must analyzespeed and acceleration throughout history and see it as constitutive of historicalepochs. Continual . . .